GameSlice Weekly Visits Las Vegas Based Westwood Studios
A Commando screams a throaty, "Ive got a
present for ya!" Seconds later, your metallic construction
yard is engulfed in scintillating flames; troops must quickly
re-group to try to infiltrate enemy forces before it becomes too
late. These minute pixel troops are loaded into APCs, transport
choppers, and some even may try to conquer the enemy by foot
across the terrain. Sure, you could be watching an epic war movie
through this glorified description of war, or you could be
actually part of the war, all developing in real time over your
scrawny little 15 inch PC computer screen. This portrayal is what
Westwood Studios Command and Conquer was, and what Red
Alert will soon be.
Westwood Studios has long been known as a hidden gem in the
interactive industry, with products such as Dune, Lands of Lore,
and the Kyrandia series under their belts. But perhaps their most
successful product to date has been Command and Conquer, the
quintessential mix between war and strategy, plus action and
adventure. Ask anyone who has ever played a multiplayer game:
Theres nothing like the pure tension of fighting your
friend or foe across the modem lines in Command and Conquer. Now,
that tension is about to be re-elasticized when the universe of
Command and Conquer takes a step back in time, but theres
no Delorian in sight.
The Iron Curtain rises this fall on Command and Conquer: Red
Alert, which drops five off the decade count from its
sister-product C&C. Youre pitted against European
forces and enemies near the time of World War II, and the action
promises to be even more intense than before. Featuring many new
units and incredible enhancements to the C&C engine such as
SVGA graphics in Windows 95, Red Alert is perhaps the most
eagerly awaited holiday release. Despite being deep into the
development of Red Alert, project producer Ed del Castillo had
"a present for us": He took some time away from his
Flamethrowers and Tesla Coils to sit down with GameSlice to
discuss the impending release of Command and Conquer: Red Alert.
Here are a few of the 20-odd Questions we Posed to Westwood Studios:
GSW: Red Alert
is a prequel rather than a sequel to Command and Conquer,
dating back to the World War II era. Why did you decide to take a
step
back in time with Red Alert?
Ed: In our world, WWII never happened. Through a
sequence of events
which will be revealed in RA, Hitler is removed from the time
stream
before he can rise to power. The result is a very prosperous
European
economy and the rise of Stalin some time later who decides that
it is
his manifest destiny to unite all of Eurasia under one flag, the
Soviet
flag.
As to why, well we thought this would be a great time to give our
audience some background on how GDI and the Brotherhood of Nod
came
to be. We've done an immense amount of backstory on how this time
stream works and we wanted to share that with the C&C player,
while
giving them a kick-ass combat game with interesting.
GSW: In a nutshell, what do you think is the
biggest improvement Red Alert
has over Command and Conquer?
Ed: High-res. Without a doubt. When C&C came
out, we only took 2 slams
from our competitors. Low-res and no map editor. Now we have
both.
What can I tell ya -- You ask, we give!
GSW: From what we understand, Red Alert really
adds a new dimension to
gameplay with spies, three different types of minerals and other
new
features. It sounds as if you've added another layer to the onion
with
the prequel. Are you concerned that the game might get too
complicated?
Ed: We do definitely have a wider range of units
and a wider range of how
they can be used, but I don't think it will be more complicated
for
the player. The game as it exists, is very easy to learn, play,
and
get into. This is a continuation of our design philosophies from
C&C.
The player will be able to play and win without having to be a RA
scholar. However, as he/she become more familiar with the game,
using
the more "advanced" units will allow him/her to get the
edge on the
opponent. What the new units really do is two-fold. First they
give
the new player a complete realtime combat game. Second, they give
the
C&C player a whole different set of units to figure out how
to use.
Fundamentally, it will create a new environment with new
variables for
the C&C to create all new strategies and tactics, and that is
the core
of the fun.
GSW: Westwood is widely regarded as a strong
company in the adventure,
strategy and RPG categories. What's the one genre where you think
you are
really unmatched by the competition?
Ed: No such thing. There's still all sorts of
crazy money being thrown
around this industry. As long as that's the case, there are no
barriers to entry. With no barriers to entry, anyone with a good
idea
and computer could be shipping a game a year from now. I think it
would be way too arrogant for us to think that we are
"unmatched" at
anything. It tends to be the hallmark of doom. We do 3 things
right:
1. We try real hard to do things that no one has done before, in
genres we like.
2. We remember our audience by trying to build games that work on
a
wide range of PC's.
3. We try to remember that the purpose of your computer is to
make
things easier for you. This includes games. If you have to expend
too much effort to learn or play a game, that's not fun, its
work.
Most people prefer the fun.
It's really simple stuff, but it's easy to forget if you get
caught up
in the development process.
GSW: I guess the next technological expansion
for the game engine would be
to allow users to actually change perspectives - i.e. click on
the spy
and actually run him through the environment in first-person to
the enemy base.
Is this planned for any future games such as Tiberian Sun?
Ed: We have toyed with this idea; a kind of cross genre
product. It's one
of the many ideas we have for Tiberian Sun. We'll just have to
wait
and see.
The Red Alert Team from Westwood Studios:
Left to Right: David Patter, Adam Isgreen, Damon Redmond, Paul Bastardo, Paul Wesberry, Ron Smith | Left to Right: Brian White, Felix Kupis, Mike Lightner, Paul Mudra, Steve Tall, Phil Gorrow |
Left to Right: Ed del Castillo, Barry Green, Joe Bostic, Maria del Mar McCready Legg, Joseph Hewitt IV, Frank Klepacki. | Left to Right: Matthew Hansel, Brett W. Sperry, Bill Randolph, Dwight Okahara, Chris Demers. |
(C)opyright 1996, GMK Studios and CUSP Media International. No segment of this interview, in whole or in part, may be re-printed, or re-distributed in any media form without the expressed written consent of GMK Studios. Web sites may link to this page, but may not re-print any questions or answers on their own pages without permission.